Introduction
A great way of creating a simple and strong sounding solo is by simply playing the actual melody but with embellishments. This is a great improvisation technique when playing ‘inside’ and resolving tension, because nothing resolves tension like playing the actual song. Most good solos have some kind of reference (however slight) back to the original melody.
This technique is used very often by many Jazz musicians and is especially prominent in early Jazz (Dixieland). It works well because it reassures the listener that they are, in fact, still listening to the same song.
Embellishing the Melody – Simple & Effective
Improvising while still hinting at the melody sounds professional and fascinating. The melody gives you a base to explore from, and if you ever get stuck you can just go back to playing the melody again. And as you get more experienced, you can venture further and further away from the melody.
Improvising around the melody isn’t too difficult. There are just a few things you can do:
- Change the rhythm of the melody (keeping the pitch the same)
- Change the pitch of the notes (keeping the rhythm the same)
- Add ‘fills’ over long notes and rests
- Add ornamentals to the melody (trills, turns, mordents, grace notes, etc.)
Have a Listen to
- All of Me ~ Louis Armstrong’s version
- Every other Louis Armstrong solo
